A motorway junction must cross the ancestral property, which dates back to Richard the Lionheart, of an English aristocrat, Lady Sheila Belmont. She will therefore enforce desperate measures to save her hundred-year-old trees.

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In this dark comedy, the action takes place in a social network moderation centre. We discover an unhealthy work environment filled with people who have become deeply alienated by all the twisted videos they are obliged to analyze and classify all day long.

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French horror short from 1967.

If I had had the good fortune to be the keeper of the Jardin des Plantes for a day, I would have wanted to take my visitor wherever I wanted, wherever everything moves along like in a song or a poem. Without any educational agenda, without scientific respectability. In an invitation to drift, to hypothetical encounters, to reconciliations of universes, in words and sounds, wind and dreams. To watch, listen, and discover the magic of the world. Nothing would be serious, but everything would be important.

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Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

When a successful TV personality is robbed of her new film camera, she exaggerates the story to get the most out of her insurance. However, when the young suspect unexpectedly gets arrested, this trivial lie ignites a chain reaction of unforeseen consequences that will know only losers in the end.